What I Read Last Week

Hello, all. Here is another of my periodic "what have I read lately" posts. I skipped a December roundup, but my thoughts on everything I read in 2020 are available on GoodReads, where I'm BethFishReads.

One of Our Own by Jane Haddam (Minotaur: Nov. 2020; Dreamscape: 9 hr, 6 min). This is the end of a long series featuring an ex-FBI agent, his wife, and the members of his Philadelphia Armenian American neighborhood. Haddam finished this book just before she died. Note: because I was the copyeditor for the first several entries in this series, the Demarkian books have always held a special place in my heart.

Although this isn't the strongest Demarkian book, Haddam did a fine job concluding the series. Most of the story arcs reached a satisfying ending, though (rightly so) not everything was tied up in a neat bow. I'm sorry to say goodbye to the returning characters whose stories I've followed since the first book was published.

As in most of the Demarkian books, Haddam addresses contemporary sociocultural/sociopolitical issues. In this case, she looks at inner city housing and a real estate magnate, immigration and ICE, foster care, culture clashes, and the changing nature of city neighborhoods. The mystery and side stories are well constructed, complex, and engrossing.

You'll want to start this series from the beginning so you can understand the dynamics between the main characters. For my thoughts on the audiobook, read by David Colacci, see AudioFile Magazine.

The Children's Blizzard by Melanie Benjamin (Delacorte: Jan. 12; Random House Audio: 11 hr, 25 min). This is a well-researched, though fictionalized, account of the great 1888 blizzard, often referred to as the Children's Blizzard because it struck just when most schools in the upper Midwest were closing for the day. The majority of those schoolchildren failed to made it home or to a safe haven before the blinding snow engulfed them.

The focus of the novel is on two sisters who are schoolteachers in different towns. The women make very different choices for how to tend to the children in their care. We also meet a newspaper man who is forced to think about his role in enticing the unprepared to stake claims on the prairie, and a young girl who was sold by her mother to a childless couple and makes decisions based on her unique situation.

The storm came up so suddenly that people were simply caught unaware and unprepared on the open prairie, where they became lost in the blinding snow, eventually freezing to death. The novel conveys the horrors of the blizzard, why even seasoned settlers were surprised by the snow, and how the storm had lasting effects.

Cassandra Campbell performs the audiobook, adding to the drama and bringing the characters to life. Thanks to the publishers and Libro.fm for review copies in audio and digital media.

Under the Alaskan Ice by Karen Harper (Mira: Dec. 2020; Harlequin Audio: 9 hr, 9 min). I was attracted to this book because of the premise of the mysterious unmarked private plane that crashes into a frozen Alaskan lake. What I didn't realize, though, was that this mystery had a heavy romance factor. That in and of itself would have been okay, but ultimately I had problems with the writing/style and put the book aside fairly early on.

My primary issue was the number of times the author asks the questions that should be left up to the engaged reader. For example, Harper has one of the characters think through a long list of questions about the plane: Why did it crash? Why now? Why here? and so on. The plotting should have made me ask those questions, without the prompting. This happens more than once. In addition, the young child was little too precocious for my tastes.

I'm a mystery fan and love an Alaskan setting, but this book just didn't click with me. Thanks to the publishers for audio and digital review copies.

Summerwater by Sarah Moss (Farrar, Straus & Giroux: Jan. 12 Macmillan Audio: 4 hr, 27 min). Written almost as linked short stories or vignettes, this slim novel, told over the course of one day, follows about a dozen people who are vacationing in a remote area of Scotland.

At the beginning of the day, which opens with a young mother taking a dawn run, each family is insular, hunkering down in their own cabins or following their own amusements. As we see the day progress through the eyes of different characters, we begin to view the temporary community of strangers as unique individuals, understanding their behavior from a variety of perspectives. By the end of the day, several groups have crossed paths, quarreled, or bonded . . .

The novel is beautifully written. Moss creates an uneasy atmosphere, building a sense of dread beneath what should be a relaxing summer day for the vacationers. This isn't an uplifting story, and some threads are left open-ended. But life isn't always bright and we can't predict how people are going to face their challenges.

The audiobook is read by Morven Christie, who does an excellent job conveying the author's style, building the tension, and subtly distinguishing between the characters. Highly recommended.

Thanks to the publisher and libro.fm for the audio review copy.

The Effort by Claire Holroyde (Grand Central: Jan. 12; Hachette Audio: 10 hr, 38 min). What happens when a comet is destined to hit Earth? A secret international team is quickly cobbled together to try to figure out a way to deflect the comet's path. Meanwhile, a team of scientists is heading to the North Pole, with a poet and photographer in tow, to try to record the last vestiges of Arctic wildlife and the icy landscape before climate change finally wins.

We follow the individuals from these two groups as the countdown to either the comet's impact or the comet's destruction occurs. We also see what happens afterward.

I liked the premise and the different ways people reacted to the news of the impending death of the world as we know it. This isn't an action-packed story but more a slow burn as individuals rise to the occasion or crumple under hopelessness. In addition, this isn't a feel-good story, but it does give us lots to think about.

This will not be the best book I'll read this year, but I'm glad I read it. This would be a good book club pick because readers will likely have differing opinions about the characters' actions. Worth your while.

The audiobook was read by Jay Ben Markson, whose sense of pacing was good match for this book. Thanks to the publishers for the digital and audio copies of this book.

The Power of the Dog by Thomas Savage (Back Bay: 2001; Hachette Audio: 8 hr, 15 min). This is a re-issue of a book originally published in 1967 and my first time reading it. It is soon to be a movie.

Set in the 1920s in Montana, this is the story of two brothers, aged 38 and 40. The older, Phil, has always been thought of as the smarter, tougher, more sociable of the two. George is stocky and quiet. The brothers run a successful cattle ranch, living together in their childhood home, which their parents left them when they moved to Salt Lake City.

Strict routines are kept until George suddenly, and without telling Phil, marries Rose, a widow from town, bringing her out to the ranch to make a new home for her and her son. Teenage Peter is bookish, somewhat effeminate, and has trouble connecting with others, but George hopes to be a good stepfather. Phil concocts myriad reasons for disliking and distrusting Rose and Peter and is determined to break up the marriage so life can get back to normal.

Savage writes with power and insight. He provides just enough of the characters' history, through minimal backflashes and memories, to give foundation to the events that unfold after George brings Rose into their home. Chilling and moving. In a way, Savage reminds me of Mishima: through sparse prose, a full and lush story is told. The Power of the Dog will likely be on my best of 2021 list.

This is my first Savage book, but now I must read the rest of his work.

The unabridged audiobook was brilliantly read by Chad Michael Collins. This is my first experience with him, and I was taken in by his pacing, his delivery style, and his ability to build a mood. The afterword (do not miss this!) is read by Annie Proulx, who provides context and thoughts gleaned from several close readings.

Thanks to the publisher and Libro.fm for the audio review copy.

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5 Coming-of-Age Stories to Read This Month

When deciding which books to add to your reading list, are there themes, genres, or settings you just can't say no to? One of mine is coming-of-age stories. I love following a character as he or she transitions from innocence to reality. There is something about the arc of personal growth that appeals to me, whether the protagonist is a child, a teen, or an adult.

If you're like me, then January is going to be a great month. Here are five books with coming-of-age elements that made it onto my teetering book stack. I hope you plan to add at least one to your own reading list.

The Truants by Kate Weinberg (Putnam, Jan. 28) follows the transformation of Jess, a small town girl who discovers diversity through the friends she makes freshman year at a college in East Anglia. Although billed primarily as a thriller with literary themes (Agatha Christie looms large), this is also a story of how little we really know about other people and what happens when we begin to see them without our rose-colored glasses. First lines:

It’s hard to say who I fell in love with first. Because it was love, I think you’ll agree, when I’ve finished telling you.

Audiobook: Read by Olivia Dowd (Penguin Audio; 9 hr, 36 min)

The Girls with No Names by Serena Burdick (Park Row, Jan. 7) is set in New York just over a hundred years ago. Two sisters from a well-off family hardly notice the girls living in the nearby anything-but House of Mercy for the wayward, until the older Luella disappears. Young Effie checks herself into the House of Mercy to look for her sister, only to find that she's alone and that life isn't full of fun for everyone living in the city. First lines:

I lay with my cheek pressed to the floor, the cement cool against my spent rage. I’d screamed. I’d bitten and scratched. Now I was paying for it, but I didn’t care. I’d do it again.

Audiobook: Read by Emily Lawrence, Nancy Peterson, and Amy McFadden (Harlequin Audio; 12 hr, 24 min)

The God Game by Danny Tobey (St. Martin's Press, Jan. 7) is a mix of techno-thriller and mystery as a group of nerdy high school seniors discover a cool game hidden in back reaches of the internet. The more involved they get with the game, the more powerful the consequences, until at least one of them has to begin to balance AI with reality and deal with issues of theology, ethics, and friendship. First lines:

The blue light of the computer screen was flickering on Charlie’s and Peter’s faces, making them look like astronauts lit by the cosmos.

Audiobook: Read by Andrew Eiden (Macmillan Audio; 13 hr, 31 min)

Creatures by Crissy Van Meter (Algonquin, Jan. 7) begins as a young women prepares for her wedding on an island off the coast of Southern California. The story is told partly through her memories and partly in real time, as she comes to terms both with her childhood (raised by a charming though drug-dealing father) and with her present (dead whale on the beach, sudden appearance of her long-absent mother, and fisherman groom possibly lost at sea). First lines:

There is a dead whale. It rolls idly in the warm shallows of this island, among cartoonish sea animals with tentacles, suction cups, and goopy eyes.

Audiobook: Read by Piper Goodeve (Highbridge; 5 hr, 58 min)

We Wish You Luck by Caroline Zancan (Riverhead, Jan. 14) follows a trio of graduate students enrolled in a low-residency MFA writing program at a prestigious college. During one of the on-campus sessions, their famous-author advisor goes a step too far in the critique of their work, and the students are left with the stark truths of power, art, competitiveness, and love. First lines:

There is no train ride in the world prettier than the one from Penn Station to Albany. Ten of the seventeen people in our class took that train up to the first June residency.

Audiobook: Read by Kristen Sieh (Penguin Audio; 7 hr, 27 min)

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Stacked-Up Book Thoughts: Traveling the World through Books

Happy almost October. I am so ready for sweater weather and hearty dinners. Although the temperatures still say summer, the leaves are starting to change, and I feel the hints of fall.

I had an unexpectedly busy September, which has really eaten into my blogging time. I don't seem to have the energy to write reviews or spotlights after a long day. It's a dilemma because I have a ton of great books to talk about in October. I'm hoping to up my game either here or on Instagram or Litsy. We'll see how I do.

We haven't been watching too much on television. We're about halfway done with Ken Burns's series on country music. Even if you aren't a country music fan (I'm not either), it's a fascinating documentary of America and the music industry.

Here's what I've read and listened to in the last two weeks.

Match Made in Mehendi by Nandini Bajpai (Little, Brown YR, Sept. 10): This is a fun, light contemporary novel about a first-generation Punjabi American teen who dreams of being an artist. Simi, however, is pressured to follow the path of generations of women in her family and become a professional matchmaker. With help from her older brother (who's a whiz at coding) and relying on the matchmaking wisdom she's learned from her mother, aunt, and grandmother, Simi decides to take the family business into the twenty-first century. She and her best friend, Noah, devise a dating app that's geared specifically to the kids in their high school. As Simi and Noah (who's gay) help others find their soulmates, their popularity increases, until the coolest girl in the class is upset that she wasn't matched with the coolest guy. When Amanda begins her defamation plan, Simi and Noah have a whole new set of problems, some of which test their long friendship. Great themes of staying true to oneself, being honest, friendship, family, young love, and finding balance between family traditions and the modern age. Simi and Noah's relationship is believable, as are the plot lines of young love. Simi's family life and the differences between the generations also rings true. The unabridged audiobook (Hachette Audio; 7 hr, 2 min) was well read by Priya Ayyar, who smoothly transitioned between teen and adult voices and American and Indian accents. She picked up on the emotions and personalities of the characters, making it easy to root for Simi and Noah and boo the mean kids. (audio copy provided by the publisher)

The Glass Woman by Caroline Lea (Harper, Sept. 3): Set in the late 17th century in Iceland, this haunting novel examines the choices a young woman makes after her father suddenly dies and her mother becomes sick. Facing a bleak future, Rosa agrees to marry Jon, a wealthy farmer and trader, who lives in a distant town near the sea. In return for leaving her beloved village and being obedient, Jon has agreed to provide for Rosa's mother, ensuring the older woman's survival. Rosa's marriage is haunted by the uncertain circumstances of Jon's first wife's death, her husband's distance and coldness, and her extreme loneliness. The story is infused with the Icelandic landscape and focuses on the edge of change or maybe the edge of changing states: Christianity and the old Norse gods, girlhood and womanhood, single and married, married and widowed, love and friendship, woman and mother, insider and outsider, life and death. Although primarily a character-driven novel, the book includes some drama as well as mystery. I really liked this and have continued to think about Rosa. The unabridged audiobook (Harper Audio;11 hr, 18 min) was read by Heiða Reed and Smari Gunn, who set the mood and pace of the story, and nicely avoided foreshadowing. I appreciated hearing the correct pronunciations of the Icelandic names and words. (print and audio copies provided by the publisher)

Fever Year: The Killer Flu of 1918 by Dan Brown (HMH Books YR, Sept. 3): A graphic nonfiction look at the spread, aftermath, and cause of the great flue pandemic of 1918. I don't know why I have a fascination with the Spanish flu -- maybe because it acted as a modern-day plague, killing many more people across the globe than the Great War. Brown (who also illustrated the comic), lays out the pandemic in three parts: In Act I the flu wasn't any more deadly than any other flu, but it spread quickly as troops returned home from war in Europe. No one really knows where it started or its origins, but it was likely from an animal source and may have first shown up in the eastern United States. In Act II, the flu came back with a vengeance, was more deadly than any other flu ever seen, and seemed to strike young adults most strongly (unlike usual flu, which is worse for the very young and very old).  Act III came later, when the Spanish flu reared its ugly head several more times in the following few years. The plot of Fever Year is a little disjointed, but the book serves as a good introduction to the pandemic. The artwork is in muted colors, befitting the event; the expressions on people's faces clearly convey emotions, and period details are evident. The book concludes with a short look at biological research into the Spanish flu and a good bibliography for readers who want to know to more. Recommended. (review copy provided by the publisher)

Death of a Gentle Lady by M. C. Beaton (Blackstone Audio; 2008; 5 hr, 31 min): This is the 23rd entry in the Hamish Macbeth mystery series set in Scottish Highlands. As you know, I just love these cozy mysteries, in which village copper Hamish Macbeth solves murders, helps his neighbors, has bad luck in love, and avoids getting promoted to the city. There's quite a bit of action in this book, and the murder mystery was well set up, with a few believable red herrings. Hamish's personal life plays a large role and includes his ongoing dealings with his personal nemesis, big-city detective Blair, as well as some complications in his love life. Lots of fun, and I'm looking forward to the next installment. The audiobook is read by Graeme Malcolm, who captures the personalities of the townsfolk and keeps the story moving. These quick listens are perfect escape books. (borrowed from the library)

The Liar by Ayelet Gundar-Goshen (Little, Brown, Sept. 24): What happens when a lonely, insecure Israeli girl mistakenly cries wolf but is slow to tell the truth? Seventeen-year-old Nofar has had it with her summer job scooping ice cream, with being outshone by her perfect younger sister, and with feeling lonely since her childhood friend graduated to the cool kid group. After an altercation with a male customer, Nofar reaches her breaking point: she storms out of the store into the back alley; when the man follows her, she screams. Witnesses assume the worse, and Nofar, in shock and humiliation, fails to correct them. The man goes to jail to await trial on charges of sexually assaulting a minor. I really wanted to like this story of Nofar's struggles to balance her newfound fame and popularity with doing what's right to save her "assailant" from serving time. I, however, could not relate to how far she let things go. There are several other liars who cross paths with Nofar, and I didn't much care for them either. I had issues with the ending as well (I can't get into detail without spoiling the book), because the lesson almost seems to say, lying pays. I was not sold. The unabridged audiobook (Hachette Audio; 8 hr, 14 min) was very well read by Ajjaz Awad. This was my first experience with her. Her performance was fine and her pronunciation of the names, Hebrew, and Yiddish seemed believable. On the other hand, her British accent seemed off in a book set in Israel. (audio copy provided by the publisher)

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Stacked-Up Book Thoughts: This Week's Picks & Pans

Is it terrible that my mood seems to be linked with the weather? We have had a string of absolutely spectacular summer days: little wind, low humidity, lots of sun, and highs in the 70s. Can it be like this every single day of the year?

My good mood sparked a pretty great reading week. It was so lovely be sitting on the deck with a book or taking a walk with an audiobook. I'm trying to be grateful for every second of these perfect days.

What I Read Last Week

(All books discussed in this post were provided to me for review or feature consideration.)

The Bookshop at Water's End by Patti Callahan Henry (Berkely; July 11): I enjoyed this story of women's friendships, mothers and daughters, and coming to terms with the past, but I didn't love it as much as others have. I don't know why, but I often don't connect strongly to women's fiction, and that was my first issue with this novel. My second problem is probably related to the editor in me: the story revolves around two families who formed strong bonds after vacationing together for three summers. Each family had a daughter and a son, but one of the boys is mentioned only in passing, and I can't help but wonder where he was during that long-ago pivotal event that so affected the other three children, even into their adulthood. This really bothered me. Finally, the writing was a little overwrought and the plot was ultimately predictable. On the other hand, maybe that's just what's needed for a light summer read. The book is told from four perspectives, and the audiobook (Penguin Audio; 10 hr, 28 min) appropriately had four narrators: Andi Arndt, Lauren Fortgang, Shannon McManus, and Dorothy Dillingham Blue. The performances blended well together, and each narrator did a fine job picking up on her character's personality.

The Black Witch by Laurie Forest (Harlequin Teen; May 2): I love epic fantasy, and this first installment of a new series holds lots of promise. After being orphaned, a girl and her brothers are raised by their uncle in a small town far away from the major city where their late-grandmother was known as one of the strongest witches to have ever lived. Their uncle's sister remained in the city, where she has been seeking both political and magical power. Although tests show Elloren to have no magical abilities, her uncle eventually allows her to move to the city to attend university with her older brothers. There she meets a diverse set of beings and becomes entangled in a grass-roots civil rights movement. I liked the world building and the varied characters, although the several love matches seem a little convenient. Regardless, there is a good balance between action and narrative, and the novel is deserving of its starred reviews. My only complaint is the number times the main characters end up in tears. The audiobook (Harlequin Audio; 18 hr, 10 min) was wonderfully read by Julia Whelan. Whelan's voice sounded believable as a teenager, and I had no trouble distinguishing among the characters. She also has an excellent sense of pacing, pulling me through the action scenes and slowing down through the more emotional, quieter moments. I can't wait for the next book in the series.

Koi: A Modern Folktalke by Sheldon Harnick with photographs by Margery Gray Harnick and Matt Harnick (Beaufort Books; June 21): I don't read a lot of poetry, but I couldn't resist giving this book, written by a Broadway legend, a try. The story is inspired by a traditional tale of how the Japanese koi came to be and how they can sometimes be transformed into dragons. The tale is told in a series of haiku that are easy to read and follow. Here is a section describing the beautiful fish before their contact with humankind: "In Far Eastern streams, / there swim resplendent creatures, / golden as sunlight, // silver as moonlight / iridescent as rainbows: the creatures called koi." The accompanying full-page photographs, taken by Sheldon Harnick's wife and son, are simply stunning. Some are straight shots, some emphasize reflections or rippling water, and others have been creatively edited. This is a delightful book that can be enjoyed by readers young and old. It would make a fantastic gift, and I know I'll look through and read this book many more times. (Note: the introduction was written by Alan Alda.)

A Paris All Your Own edited by Eleanor Brown (Putnam; July 4): I loved this collection of 18 essays written by woman authors who shared their personal stories about visiting or living in Paris. As a whole, the collection presents an intimate and authentic view of the City of Light, from the wonderful bakeries to the unclean sidewalks. I was fascinated by the varied experiences: Ellen Sussman was seduced by the city; M. J. Rose discovered some of the romance; Jennifer Coburn had two very different reactions, first with her daughter and many years later with her aging mother; Paula McLain had a frustrating (and, really, almost funny) time trying to capture Paris in photographs; and Eleanor Brown had this to say: "I didn't love Paris. I didn't, most days, even like it." I loved how these essays captured the essence of travel and how a single place can have so many different faces. Yet there were many common threads: the beauty of the city, the crusty baguettes, and the scarves! If you've ever traveled anywhere outside your native country and if you've ever been to or dreamed of Paris, this is a must-read collection. It's also a great way to see a more personal side of some of your favorite authors. The audiobook (Penguin Audio; 8 hr, 23 min) was read by Kimberly Farr, Cassandra Campbell, Susan Denaker, Emily Rankin, and Alana Kerr Collins, each of whom performed several essays. Each performance was strong and well matched to the mood and personality of the individual essays. My full audiobook review will be available through AudioFile magazine.

What I'm reading now

To Lay to Rest Our Ghosts by Caitlin Hamilton Summie (Fomite; August 8): I'm about halfway through this incredible collection of short stories. I'll have more to say in another post, but so far the underlining themes are families and friendships and coping with common troubles: deaths, aging, accidents, and conflicting personalities, all told against the clear backdrop of place. (Note: I know Caitlin personally, but my opinions are honest.)

Lockdown by Laurie R. King (Bantam; June 13): I just started this audiobook for a freelance assignment. I didn't realize when I said yes that this standalone thriller, set in a small town on the California coast, would likely take place in a middle school. It's too early for me to say much about the plot, so I don't know if there will be a school shooting or something else. The audiobook is read by Pilar Witherspoon. I'm only an hour in, but I'm enjoying her performance and her ability to pronounce the Spanish names and words.


Bookish Viewing

I finally got around to watching season 1 (7 episodes) of the Netflix original Anne with an E. I have mixed feelings about the series. The acting is fine and the actors' looks and mannerisms more or less match my exceptions. It's been a very, very long time since I read the books, and thus I'm not sure when I simply don't remember certain parts of the story and when the writers have decided to go off the original plot. I'm sure I'll continue to watch the series through to the end--it's Anne of Green Gables after all!--but I'm not feeling the connection I thought I would. Take a look at the trailer:

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