Wordless Wednesday 235
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Reading, Thinking, Photographing
Can you imagine how difficult it would be to realize that your family may be looking at you to guide them now that the family matriarch has died? Caroline Wimbley Levine finds herself in just such a position. And everything is complicated by that strange combination of jealousy, competition, and fierce love that can be found only among relatives:
It is a generally accepted fact that at some point during your birthday, you'll reassess your life. When you are young, and by "young" I mean the sum of your years is under twenty, your whole life is still in front of you. Your un-juandiced eyes are sunlit and wide. Your lungs rise and fall with breathless optimism. Whom will you marry? Who will you become? Will you be blessed with good children? Live in China? Climb Everest? Visit the Casbah? Sail the Amazon? Will the riches of the world find their way to your door? The details of your future life are still shrouded in the opaque mists of time's crystal ball and you, the anxious and impetuous young you, hopping from one foot to the other, cannot wait to get there.—Lowcountry Summer by Dorothea Benton Frank (HarperCollins, William Morrow, 2010, p. 1-2)
But, darlin', when your years creep north of thirty, your assessing eye blinks, drifts to the past to scan your scorecard because your future is pretty much a foregone conclusion. Or is it?
Elena
Michael's idyllic life was shattered when her parents were killed in a
car accident when she was a young child. Years of dysfunctional foster
care in multiple homes left her distrustful and tough. Once she met
Clayton, though, she saw a chance at real happiness and love. There was
only one problem: Clayton bit her. And it was no ordinary love nip; it
was the bite of a werewolf, and against all odds, Elena became the only
female to have ever survived the change.
Although the
pack offered her a family she had always craved, Elena had no desire to
give up her humanity and doesn't always relish her status as the only
woman werewolf. Thus several years after her change, she gets
permission from the alpha male to leave their upstate New York home to
try to live among humans in Toronto.
When the pack's
safety is threatened by enemy wolves, Elena is forced to return home,
where she not only must help protect her friends but must assess her
loyalties and obligations.
Kelley Armstrong's Bitten
is the first entry in the Women of the Otherworld series, featuring
Elena Michaels and the werewolf pack that took her in. Sometimes it
seems as if were animals were becoming the new vampires, and there couldn't possibly be anything new in the genre. But Armstrong builds a unique were culture
that is more in line with contemporary urban fantasies than with the old
tales of full moons and silver bullets.
Elena is a
strong woman learning to deal with a life that she would have never
picked for herself. She is understandably distrustful. And although she
still has feelings for Clayton, she can't really forgive him for turning
her into a creature. At the same time, she has always been a bit
outside of mainstream society and has had to rely on her own strengths
and resourcefulness. Thus being a werewolf fits her personality in many
ways.
Besides Elena's personal growth, Bitten
involves a struggle for power between two were factions. Armstrong
nicely sets up the tension and action, balancing the characters' dual
natures of wolf and human. The wolves are not domesticated, and the
fights can be bloody whether the characters are in human or wolf form.
One of the particularly interesting aspects of Bitten
is how Kelley Armstrong plays out the two cultures (human and wolf)
against each other. For example, the made werewolves have different
attitudes toward human society than do the weres by birth. In addition,
the made weres cannot fully shed their human personalities when they are
in their wolf forms, which makes them better able to understand or read
each other than can the genetic wolves, who were never fully human.
These factors play into the plot, giving Elena's world a feeling of
reality.
If you like action-packed plots, urban fantasy, strong female characters, and little hot sex, you'll like Kelley Armstrong's Bitten, which is a solid start to a promising series.
I
listened to the unabridged audio edition (Brilliance Audio; 12 hr, 59
min) read by Aasne Vigesaa. Vigessa does an excellent job with the
variety of accents (Canadian, Southern, New England) and with both the
male and the female voices. Her pacing amped up the tension, and her ability
to project the emotional state of the characters without becoming
overly dramatic is impressive.
Buy Bitten at an Indie or at bookstore near you. This link leads to an affiliate program.
Penguin USA / Plume, 2010 (reprint edition)
ISBN-13: 9780452296640
Rating: B+
Source: Review - audio (see review policy)
Copyright © cbl for Beth Fish Reads, all rights reserved (see review policy).
Weekend Cooking is open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, quotations, photographs. If your post is even vaguely foodie, feel free to grab the button and link up anytime over the weekend. You do not have to post on the weekend. Please link to your specific post, not your blog's home page. For more information, see the welcome post.
Welcome to Imprint Friday and today's featured imprint: Algonquin Books. Stop by each week to be introduced to a must-read title from one of my favorite imprints. I know you'll be adding many of these books to your wish list.
If you're like most Americans, you don't know much about Taiwanese history, the 228 Massacre, the White Terror, or what it might have been like to grow up in an island country whose ruling powers and party seemed to change with the seasons. Even Julie Wu, first-generation American, didn't know much about her parents' childhoods, until, in her thirties, she finally sat down with her father and a recorder and learned the details of his life.
Her debut novel, The Third Son, was inspired by her father's stories and is founded on solid research. Here's the publisher's summary:
In the middle of a terrifying air raid in Japanese-occupied Taiwan, Saburo, the least-favored son of a Taiwanese politician, runs through a peach forest for cover. It s there that he stumbles upon Yoshiko, whose descriptions of her loving family are to Saburo like a glimpse of paradise. Meeting her is a moment he will remember forever, and for years he will try to find her again. When he finally does, she is by the side of his oldest brother and greatest rival. Set in a tumultuous and violent period of Taiwanese history as the Chinese Nationalist Army lays claim to the island and one autocracy replaces another and the fast-changing American West of the late 1950s and early 1960s, The Third Son is a richly textured story of lives governed by the inheritance of family and the legacy of culture, and of a young man determined to free himself from both. In Saburo, debut author Julie Wu has created an extraordinary character who is determined to fight for everything he needs and wants, from food to education to his first love. A sparkling and moving story, it will have readers cheering for a young boy with his head in the clouds who, against all odds, finds himself on the frontier of America's space program.Like many of you, I've been a fan of Asian American stories starting with Maxine Hong Kingston's The Woman Warrior, which I read way back in the late 1970s. Since then, I've read Amy Tan, Lisa See, and many other authors who talk about the difficulties of immigration and assimilation to American culture as well as the horrors of war and rebellion.
Absalom Kearney was adopted by a Buffalo, New York, police detective when she was just six years old. Growing up in the Irish Catholic section of the city, known as "the county," wasn't easy for the Gypsy-looking Abby, who was always treated as an outsider. Back in the city after a Harvard education and a stint in a Florida police department, Abby is not just taking care of her senile father but is following in his footsteps as a local detective.
When a killer begins targeting members of a semi-secret Irish society, Abby is put in charge. Her usual rational cool begins to crumble when the murders hit close to home and evidence begins to point directly at her. The deeper she looks, the more she is pulled into the killer's deranged world.
Stephan Talty's Black Irish is a psychological thriller-cum-murder mystery built over a police procedural core.The setting, the plotting, and the characters work together to create a strong and chilling debut novel. In fact, the three elements are so closely intertwined, it's almost impossible to discuss them them separately.
The bleakness of Buffalo, a city in decline, is underscored by the unrelenting winter cold and the seemingly unemotional deliberateness of the murderer. Although other American cities are known for their Irish American heritage (Boston, for example), this is Buffalo's story, and the cops, victims, and citizens are decidedly from the Lakes, not the coast. Furthermore, Talty emphasizes the unique Buffalo-Ireland connection, creating characters that have been deeply colored by that history.
You'll note that I said very little about the actual crimes and the ending of the book. As with most mysteries, the less you know beforehand, the better. I'll simply say that the clues are there. If you are cleverer than I am, you might figure it all out, but it won't matter because the characters and the story will hold your attention just as much as the specific crimes.
If you like complex psychological tangles with easy-to-visualize characters, you'll like Stephan Talty's Black Irish. I've read reviews that compared him to Jo Nesbo and Tanya French, but I think Denis Lehane comes to mind for me.
I listened to the unabridged audio edition (Random House Audio; 10 hr, 4 min), read by David H. Lawrence XVII. Although the protagonist is a woman, Lawrence seemed to be the right reader for Black Irish. His slightly gravely voice and expressive reading fit the mood of the novel and of the city. He added to my enjoyment of the story by creating tension and boosting the feelings of terror, confusion, or relief, as needed. Although I'm no voice expert, I felt his careful use of an Irish accent was believable, strengthening the listener's connection to the story. Thanks to Random House Audio, I'm able to share a sample of the audiobook with you:
What if the police decided a missing person's report is nothing to worry about, figuring it is just a sixteen-year-old boy up to normal teenage antics? But what if the boy is still missing days later? The local police finally send out a search team to comb the woods and waters. The report is sent to one of Sweden's most senior police chiefs:
Torkel knew that this was exactly the kind of case the tabloids loved to get a hold of. It didn't help that the preliminary cause of death—established where the body was found—indicated an extremely violent assault, with countless stab wounds to the heart and lungs. But that wasn't what bothered Torkel the most. It was the short final sentence in the report, a statement made by the pathologist at the scene.—Dark Secrets by Michael Hjorth and Hans Rosenfeldt (Hachette Book Group / Grand Central Publishing, 2013, pp. 27-28)
A preliminary examination indicates that most of the heart is missing.
Remember when I introduced you to the Scholastic Mother Daughter Book Club
for middle readers? I'm committed to featuring or reviewing all
the books selected for this club because I think Scholastic has
picked winning titles that have broad appeal.
Don't forget that the Scholastic book club site
includes more information about the books, recipes, reading
guides, and contests. The resources are perfect for book clubs,
teachers, homeschoolers, and any one who wants to get more out of
reading books with middle grade readers.
Although
this month's selections share some elements, they will appeal to
different types of young readers. The first is a fun mystery and the
second is a thriller/spy novel turned on its head. But each one stars an
appealing young teen who is observant and likes to solve puzzles. Both
books are also the first installment of a series.
Jane B. Mason and Sara Hines Stephens's Play Dead
introduces us to Cassie Sullivan, twelve-year-old daughter of the
town's police chief. Cassie definitely takes after her mother because
she just can't help trying to solve whatever case her mom talks about at
the dinner table.
Cassie isn't alone, though, she has
her trusty ex-K-9 dog, Dodge, who also loves to sniff out clues. The
pair is inseparable, and Dodge's police training comes in handy when
Cassie begins to figure out what happened to the man who went missing,
leaving behind his mansion and estate.
The story is
told both from Cassie's point of view and from Dodge's. The dog's
chapters are especially fun because he is sometimes distracted by food
smells and has an ongoing dislike of the family cat. There is plenty of
action, and kids will easily fall for the mystery-solving duo.
Besides
solving crimes, Cassie is a normal young teen. She has friends, goes to
school, and has chores at home. She also helps out at the local animal
rescue shelter, and we learn a little bit about how to care for
abandoned pets. We also get to know the Cassie's sister, brother, and
dad.
Young readers will find a lot to talk about after reading Play Dead.
The main topics will likely revolve around dogs and pets, friendships,
and family as well as how Cassie and Dodge solve the mystery. The recipe
at the Scholastic book club site is particularly appropriate because one of Cassie's friends loves to bake treats, especially ones with pecans.
The second selection is Jeffrey Salane's Lawless,
featuring twelve-year-old M Freeman. Although M (not a nickname) has
been home-schooled by tutors all of her life, her mother suggests that
it's time for the girl to go to school with other kids, and the school she
has picked is the one M's late-father attended.
Within
twenty-four hours after her interview, M realizes that Lawless is no
ordinary school. It's really a training institution for learning to spy
and pull off heists and thefts! Not only does M discover that her
exceptional observational skills are perfect for her new life path but
she learns that her parents are also involved in the criminal world.
This
is an action-packed story that will capture teens' attention. Besides
trying to pull off her initiation mission, M must adjust to being in
school with other kids and making new friends. She also discovers that the school has enemies
and that her dad's death may not have been accidental.
Book
clubs will want to explore a variety of topics after reading Lawless, such as right from
wrong, paying attention to minute details, different types of private
schools, family, friendships, and adventure. The recipe at the Scholastic book club site is great way to get a boost of energy after a long day of spying or before doing homework.
This post will be linked to Kid Konnection, hosted by Julie at Booking Mama.
Buy Play Dead at an Indie or at a bookstore near you (link leads to an affiliate program).
Scholastic Press, 2013; ISBN-13: 9780545436243
Buy Lawless at an Indie or at a bookstore near you (link leads to an affiliate program).
Scholastic Press, 2013; ISBN-13: 9780545450294
Source: Review (see review policy)
Copyright © cbl for Beth Fish Reads, all rights reserved (see review policy).
Weekend Cooking is open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, quotations, photographs. If your post is even vaguely foodie, feel free to grab the button and link up anytime over the weekend. You do not have to post on the weekend. Please link to your specific post, not your blog's home page. For more information, see the welcome post.
It isn't about having a green thumb. In fact, it isn't even about you. It's about the generosity of the natural world. Given a few basic skills, there is very little you can't accomplish in the garden if you trust the systems that are already in place. Plants want to grow, and despite what you might have heard, there are not armies of pests, plagues, and other misfortunes lying wait, poised to thwart your efforts. (p. 5)The second half the book is all about making delicious fresh meals for your loved ones. Although many of the recipes are meat free, this is not a vegetarian cookbook. The principal philosophy behind the Gardener's Cookbook is to eat seasonally fresh foods. This is just the type of cookbook a gardener or member of a CSA needs. The key is first to harvest (or buy) produce that is at its peak and only then plan your meals. This can be a difficult mental switch for those of you who are used to planning meals and then going shopping.
Welcome to Imprint Friday and today's featured imprint: Picador USA.
Stop by each week to be introduced to a must-read title
from one of my favorite imprints. I know you'll
be adding many of these books to your wish
list.
Ever since Anna Stothard's The Pink Hotel
was long-listed for the Orange Prize, I've been curious about it. If you
too missed the initial publication of this moving novel, you're in
luck. Picador's paperback edition is due to be released on Tuesday, and I
encourage you to pick up a copy.
Here's the publisher's summary:
A seventeen-year-old girl pieces together the mystery of her mother’s life and death among the bars and bedrooms of Los Angeles in this dazzling debut novel.Right from the first page, Anna Stothard sets the mood that prevails throughout the entire novel. Like our unnamed protagonist, we're dropped into the end of Lily's story and can't quite find a way to anchor her in reality based on the scant initial clues. Yet, like the girl, we are compelled to know and understand Lily, hoping that each fact or person will offer a key and let us in on the secrets. Who was this woman of multiple husbands, who left her three-year-old daughter, who was once a nurse turned model turned hotel owner, who rode motorcycles and wore silk dresses?
A raucous, drug-fueled party has taken over a boutique hotel on Venice Beach—it’s a memorial for Lily, the now-deceased, free-spirited proprietress of the place. Little do the attendees know that Lily’s estranged daughter—and the nameless narrator of this striking novel—is among them, and she has just walked off with a suitcase of Lily’s belongings.
Abandoned by Lily many years ago, she has come a long way to learn about her mother, and the stolen suitcase—stuffed with clothes, letters, and photographs—contains not only a history of her mother’s love life, but perhaps also the key to her own identity. As the tough, resourceful narrator tracks down her mother’s former husbands, boyfriends, and acquaintances, a risky reenactment of her life begins to unfold. Lily had a knack for falling in love with the wrong people, and one man, a fashion photographer turned paparazzo, has begun to work his sinuous charms on the young woman.
Told with high style and noirish flare, Anna Stothard’s The Pink Hotel is a powerfully evocative debut novel about wish fulfillment, reckless impulse, and how we discover ourselves.
At the bus stop everything was two-dimensional in the afternoon heat with the smoggy sunlight flattening the palm trees to the concrete buildings and the glassy yellow sky. Everything was stuck flat to everything else, like the cardboard cut-out background of a child's puppet theater. (p. 126)
In
an odd coincidence or as a sign of a new trend, this is the second book
I read in a week that starts out with a teen being expelled from
private school. In both cases, the girls were good students, lived in a
single-parent household with their hardworking moms, and faced a problem
they felt they couldn't share.
That's pretty much where the similarities between Tomorrow There Will Be Apricots (reviewed on Monday) and Reconstructing Amelia
by Kimberly McCreight end. The first is a sweet food-filled story of
found families and building a support network; the second is much
darker.
When Kate, a high-powered lawyer, gets the call
telling her she must come to Grace Hall and pick up her daughter
because she's been expelled, she is sure there has been some mistake.
When she arrives on campus, she learns to her horror that Amelia has
jumped off the roof of the building to her death. Just as Kate is trying
to rebuild her life in the aftermath of the tragedy, she gets an
anonymous text message telling her that Amelia didn't commit suicide.
Reconstructing Amelia
is told from multiple viewpoints and via a variety of media: text
messages, Facebook, phone calls, and notes as well as first- and
third-person narration. The mystery is what exactly happened to Amelia,
who always seemed so happy and stable. As Kate investigates her
daughter's life, she learns unpleasant things about teenage girls and
discovers some surprising things about herself.
Kimberly
McCreight's debut novel is well-plotted and carefully builds up the
tension. I liked the way we get to know Amelia through her own voice:
She, unaware of her fate, tells us about her life with all the innocence
and angst of a young teen; we, however, know the eventual outcome but
not the events that led up to it, which can make it painful to read her
tale. Alternating with Amelia's sections, the novel follows Kate and the
police as they try to piece together the facts to understand just how
the teen came to her death. The juxtaposition of these two storytelling
techniques works very well.
On the other hand,
McCreight telegraphed a few of the clues so strongly that at least some
of mystery of what happened to Amelia was easy to figure out. There were
still a couple of details that were not obvious, but the big reveal
factor fell flat for me. I am totally in the minority here, and keep in
mind that I wasn't wowed by Gone Girl either.
The good news is that the pacing of Reconstructing Amelia
is nicely done, and the varied ways in which McCreight tells the story
keeps the reader fully invested. Don't miss this novel, just don't
expect it to blow your socks off.
I listened to the
unabridged audiobook edition (Harper Audio, 12 hr, 15 min) read by
Khristine Hvam. Hvam had the difficult task of portraying teens, adults,
boys, and men and a broad range of emotions. She did an amazing job
keeping consistent characterizations and making each voice seem
believable. Although the novel may not make my top ten list, the audio
production is excellent, and I highly recommend it.
Buy Reconstructing Amelia at an Indie or at bookstore near you. This link leads to an affiliate program.
HarperCollins / Harper, 2013
ISBN-13: 9780062225436
Rating: C+ (print) A- (audio)
Source: Review - audio (see review policy)
Copyright © cbl for Beth Fish Reads, all rights reserved (see review policy).
What if you grew up as a special daughter of the leader of a cult? You know and accept the rules and are content on the compound with your mother and her sister wives. But then imagine that your home is shattered and your mother takes you out into the world. Would you adapt or would you hold on to the teachings of your father?
Two sisters sit, side by side, in the backseat of an old car. Amity and Sorrow.—Amity & Sorrow by Peggy Riley (Hachette Book Group / Little, Brown, 2013, p. 3)
Their hands are hot and close together. A strip of white fabric loops between them, tying them together, wrist to wrist.
Their mother, Amaranth, drives them.The car pushes forward, endlessly forward, but her eyes are always watching in the rearview mirror, scanning the road behind them for cars.
Amity watches through her window, glass dotted by chin, nose, forehead, and calls out all she can see to Sorrow: brown fields and green fields, gas stations and grain elevators. She calls out the empty cross of the power pole. She is watching for the end of the world. Father told them it would come and, surely, it will. They will see its signs, even far from him. Even here.
Sorrow has her head down and her back curled over so she cannot watch. She cups her belly and groans.
After thirteen-year-old Lorca is expelled from her private New York
City school for cutting herself with a razor, her mother decides the girl will be better off
in boarding school. Although Lorca is on her own most of the time, she
doesn't want to leave her mother, who is a famous Manhattan chef. In an
effort to win her mother's approval and not be sent away, Lorca decides
to reproduce her mother's all-time favorite meal, masgouf, an Iraqi fish
dish.
With the help of an older boy, Lorca tracks down
the elderly owner of a now-closed Iraqi restaurant and begins to take
cooking lessons from her. The results are unexpected.
Jessica Soffer's Tomorrow There Will Be Apricots
is built on a familiar premise: a troubled young girl in need of
nurturing and love meets a grieving widow who is trying to come to terms
with unresolved issues. Their bond puts them both on the road to
healing. The novel is unique in the way in which the story is told
through food and its strong emotional triggers.
All the characters in Tomorrow There Will Be Apricots
are broken and self-destructive. Lorca is a self-harmer who learns from
an accidental burn at age six that pain is something she can really
feel. Her mother is distant yet possessive, and her absent father
doesn't seem to spend any time thinking about his daughter. No matter
how hard Lorca tries, she can never please her mother.
Victoria,
an Iraqi immigrant, has never forgiven herself for giving up her
newborn for adoption almost forty years earlier. Her fiance, later her
husband, had wanted to keep their daughter, but Victoria did not. Over
the decades, though, she wondered about what became of her child, and
after her husband's death, she regrets that they never talked about
their daughter or tried to find her.
Through food and cooking, Lorca and Victoria see in each other all that has been missing from their lives. Tomorrow There Will Be Apricots
is about found families, discovering love and hope, and learning
self-acceptance. The strong characters and delicious prose make this a
memorable read.
For a look at some of the recipes Victoria teaches Lorca, visit Scribd. For an interview with Jessica Soffer, visit BookDragon.
I
listened to the unabridged audiobook (Brilliance Audio; 11 hr, 31 min)
read by Kathleen Gati and Kate Reinders. My positive review will be
published by AudioFile magazine.
Buy Tomorrow There Will Be Apricots at an Indie or at bookstore near you. This link leads to an affiliate program.
Houghton Mifflin Harcourt, 2013
ISBN-13: 9780547759265
Rating: B
Source: Review - audio (see review policy)
Copyright © cbl for Beth Fish Reads, all rights reserved (see review policy).
Weekend Cooking is open to anyone who has any kind of food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, quotations, photographs. If your post is even vaguely foodie, feel free to grab the button and link up anytime over the weekend. You do not have to post on the weekend. Please link to your specific post, not your blog's home page. For more information, see the welcome post.
Welcome to Imprint Friday and today's featured imprint: Riverhead Books.
Stop by each week to be introduced to a must-read title from one of my
favorite imprints. I know you'll be adding many of these books to
your wish list.
Don't be shocked, but I haven't read Meg Wolitzer's The Ten-Year Nap. However, the premise of her just-released novel, The Interestings, caught my attention, and I'm absolutely hooked.
Here's the publisher's summary:
The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge.I'm only about a fifth of the way through The Interestings, but I didn't want to wait before I featured the novel for Imprint Friday because it's arguably the book of the week. I've been seen positive reviews from major media sites as well as from bloggers. I've noticed an ongoing Twitter discussion (use hashtag #TheInterestings) among the bookish crowd, and Riverhead has had some events to celebrate its publication. The time to tell you about Meg Wolitzer's new novel is right now.
The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken.
Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life
This month I'm celebrating the birthdays of three authors who are
masters of observation. Because their styles and genres are very
different, you're sure to find at least one that suits your taste. (Note
that this series was started as a regular column for the SheKnows Book
Lounge, but will now be posted here.)
Paul Theroux, who turned 72 on April 10, is as well known for his travel writing as he is for his fiction. In fact, The Great Railway Bazaar,
about crossing the Eastern Hemisphere by train from England to Japan
and back, remains a favorite in the travel genre. About 30 years later,
Theroux retraced his journey, recording his experiences in Ghost Train to the Eastern Star. His fiction often has a darker side to it, either psychologically (The Mosquito Coast) or physically (The Lower River)
and is frequently set in non-Western locales (such as Africa, South
America, and India). His protagonists are commonly writers (Hotel Honolulu), and he has even been known to put himself in his fiction (A Dead Hand). Wondering where to start if you've never read Theroux? I suggest The Mosquito Coast,
which follows the unraveling of inventor Allie Fox, who relocates his
family from a comfortable life in the United States to the wilds of
Honduras.
Ngaio
Marsh, known as the New Zealand queen of crime fiction, would have been
114 on April 23. Although she wrote some short stories and an
autobiography, she is famous for her Roderick Alleyn series, which is
set mostly in England. Born into the gentry, Alleyn is a
hardworking chief inspector (later promoted) in Scotland Yard's criminal
investigation department. The series spans quite a few years, and
Alleyn's personal life progresses in each new entry in the 32-book
series. Nash's own loves of theater and painting figure prominently in
the novels, and in fact several of the mysteries specifically revolve around
actors. You can, of course, jump into the series anywhere, but I
suggest you start at the beginning with A Man Lay Dead and get to know Roderick Alleyn over the course of each mystery up to the final novel, Light Thickens. By the way, if you're an audiobook lover, you might consider listening instead of reading.
If
you're a baby boomer, then you already know Annie Dillard, who will
turn 68 on April 30. In the mid-1970s, it seemed that everyone was
reading her Pulitzer Prize-winning Pilgrim at Tinker Creek, about her observations of nature in the Virgina countryside, where she lived. The Writing Life,
a collection of short pieces in which Dillard talks about her
experiences as a writer, is almost required reading for budding authors
of every type. She has also written about "found poetry" (Mornings Like This) and two novels, including The Maytrees, which I reviewed in 2010. If you're new to Annie Dillard, then you must start with Pilgrim at Tinker Creek. If you want to read more, try Teaching a Stone to Talk, a compilation of short nonfiction. I have yet to read An American Childhood,
her autobiography, which details her awakening to the world around her
and the development of her observational skills, which have informed all
her work.
Wouldn't
you love to have a weekend to yourself? Imagine that your husband and
daughter go camping and your son is at college. Like Abby Bennett,
wouldn't you be dreaming of all that wonderful alone time? Now suppose
your husband and daughter are lost in the aftermath of a flash flood.
Would you ever stop looking for them?
The following scene happens once rescue operations have begun:
It was one of those perfect spring days: a breeze fiddled along under a blue umbrella sky while the sun rose, a butter-yellow balloon above the sudden earth. It was the picture of innocence, a child's crayon drawing. Not one vestige remained of the horrible rain Abby had driven through to get here, and it disconcerted her and infuriated here . . . this weather that lay on her like a blessing, that wouldn't hurt a fly, that would take nothing from anyone. She felt mocked by it.—Evidence of Life by Barbara Taylor Sissel (Harlequin / Mira, 2013, p. 36)
Last fall, I wrote about the first entry in Marissa Moss's Mira's Diary series, Lost in Paris, noting that it was "fun story for middle grade readers full of mystery and history." Home Sweet Rome, the follow-up book, was released last week.
Mira's
mother is a time traveler but is stuck in the past and needs her
daughter's help before she can return to her family in the present time.
In Home Sweet Rome, Mira must go to Rome during the Renaissance, accomplish a specific task, and safely return to her father and brother in the 21st century.
Time travel is
tricky because Mira has to follow specific rules (such as not tampering
with history) while she's trying to adjust to life in the past. She also
has to hide the fact that she has come from the future. In Home Sweet Rome,
Mira pretends to be a boy so she can establish herself in Cardinal Del
Monte's household; there she hopes to discover how she can help her
mother. When in old Rome, she also meets the painter Caravaggio and the
philosopher Bruno.
Although the descriptions of Rome at
the turn of the 17th century are vivid, and Mira's adventures have
elements of mystery and danger, I'm not sure most middle grade readers
will follow the deeper issues behind the story. Mira's task is too vague
to provide structure to her trips to past. She is given the name of the
man she's supposed to find, but she doesn't meet him until late in the
book. In the meantime, she's sidetracked by the painter and the
cardinal, and the urgency of finding Bruno is never felt.
On the other hand, it's hard not to like Mira's spirit and resourcefulness. It's fun to see how much more confident she is in Home Sweet Rome
compared to her first experiences with time travel. As we learn in the
first book, Mira is a budding artist and doesn't go anywhere without her
sketchbook. The story of her adventures is amply illustrated by her
drawings of Rome and the people she meets.
Marissa Moss's Home Sweet Rome
may appeal to middle grade readers who are interested in Rome and
particularly in the Renaissance. The back of the book includes an
author's note, a map, and a short bibliography for further exploration.
This post will be linked to Kid Konnection, hosted by Julie at Booking Mama.
Buy Mira's Diary: Home Sweet Rome at an Indie or at bookstore near you. This link leads to an affiliate program.
Sourcebooks / Jabberwocky, 2013
ISBN-13: 9781402266096
Rating: C
Source: Review (see review policy)
Copyright © cbl for Beth Fish Reads, all rights reserved (see review policy).
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